So this past Thursday, it was announced via Giant Step’s humongous mailing list that Erykah Badu would be doing a “secret” show on Saturday night. I’ve never seen her live before and the price was right so I snatched up a pair before they quickly sold out.
The show was held at Good Units, which is a new venue in the sub-basement of the Hudson Hotel. Apparently it used to be a former YMCA. I was expecting something smaller but its a great sized venue. and set up nicely to do smallish, intimate shows and pretty good sized parties.
Doors were at 9 and the show seems to have started soon after. There were a lot of opening acts who did full-on sets. Couple that with what seemed to be Erykah Badu’s hesitance to get up on stage before 2am, and you’ve got a looooong night.
So let’s start with the first act: MNDR

(I kinda forgot I had a camera so I didn’t start shooting until after her performance. The shots aren’t that great anyway)
I only caught the tail end of her set but I listened to some of her stuff on her myspace page prior to the show. Electro-pop that isn’t annoying. She’s got a good thing going.
Next up: The Tony Castles
Indie rock trio where one of the guitarists (dude to the left) did double duty as keyboardist. Honestly, the sound at this point up until Ms. Badu’s set sucked and I can’t offer an opinion more than I think they were more bad than good, but probably not horrible.
Then: Spank Rock
I’ll be fully up front: while I dig B-more stuff, I can’t say I’m a huge fan. He’s definitely fun and the beats are cool but unless its a raging electro-bash, I just don’t think it fits well on stage at a ticketed show that isn’t 100% geared towards coke binges and grinding on someone’s crotch in sweaty ecstasy. It was a nice way to try and get the crowd hyped for the headliner but between the cruddy sound and some folks plain not feeling the tunes (while there were a lot of ladies in the crowd, not all of them wanted to shake it until Spank Rock’s dick turned racist), I think his performance fell flat. I must commend him on managing to recreate the very same look sported by De’voreaux White, also known as Argyle, the limo driver, in the very first Die Hard.
After quite a long break to hang some huge homemade lighted ankh and a switch from the “DJ” spinning old soul 45s the whole damn night to a cat who played some 90s hip hop to re-heat the crowd waiting several hours for the main event, Ms. Badu finally came on stage, and for those who decided to hang in there, made the annoyance at the wait subside. Thankfully, her own sound guy took over the board because she sounded great.
I can’t say what a typical Badu show is like but the show was seamless! She did songs off every album in their entirety with lots of creativity and improvisation and just blended right into the next joint. It was great. She did pretty straight versions of “The Healer” , “On and On”, “…&On” and did a cool of “Appletree” that mixed in elements from George Kranz’ “Din Da Da” and Afrika Bambaataa & SoulSonic Force’s “Planet Rock”. She did another group of songs from Baduizm, Worldwide Underground, and New Amerykah Part I then launched into a version of Outkast’s “Liberation” that really knocked my socks off. She finished off the night with “Window Seat”. Or rather, I finished my night hearing her do “Window Seat” because everyone I was with was either extremely tired or hungry or both and wanted to get the hell out. So we bounced.
I’m super excited for her latest album, New Amerykah Part II: Return of the Ankh, to drop tomorrow. I’m really digging some of the tracks that have leaked so far. I’m feeling one in particular I don’t think is making the final cut, features Bilal (note: Bilal and Erykah need to work together more often) and Lil Wayne. I dig the funk being channelled on this.
Erykah Badu-Jump Up in the Air and Stay There (feat. Bilal and Lil Wayne)





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